簡介：《招搖之涅槃傳說》主要講述了鑒心門、南月教、魔修三大門派之間的恩怨糾葛，歷經(jīng)網(wǎng)劇《招搖》中的仙魔大戰(zhàn)之后，毀滅天地的大魔修的元神被十大仙門聯(lián)手打散，百年之后，大魔修密謀重返塵寰。仙魔大戰(zhàn)之后逐漸沒落的鑒心門與南月教也為重振門楣聯(lián)姻，共享雙方圣物“鑒心決”、“涅槃”。魔修少女玄靈獲悉此事，為得到涅槃復(fù)活自己的父親，喬裝“喜娘”潛入鑒心門盜寶，結(jié)果盜寶未成還破壞了兩大門派聯(lián)姻。期間，玄靈與鑒心門門主柳滄嶺竟互生情愫，但仙魔身份的差異，立場的相悖也導(dǎo)致了重重誤會。魔修現(xiàn)世，生死關(guān)頭之際，生命、愛情、大義等多重考驗既成功制服魔修拯救了蒼生，也成就了一段絕美的仙魔虐戀。

簡介：一卷神秘的卡帶讓黃雨萱擁有了特殊的能力。她能否回到過去，改變相戀多年的愛人李子維的命運？錯過的戀人們是否可以重新開始？愛讓一切有了曲折，也有了力量。

簡介：商朝末年，武祖姜子牙率眾神伐紂，贏得封神大戰(zhàn)后歸隱山林，但其斬將封神所用之神器——封神筆卻失落千年，不知所蹤。千年以后，開元年間。大唐畫師吳道子為博“畫圣”之名，意外發(fā)現(xiàn)了封神筆的蹤跡。一時間，風(fēng)起云涌，群英匯聚。一段英雄兒女的愛恨情仇就此展開，一場天崩地裂的家國危機(jī)就此來臨，正邪之戰(zhàn)一觸即發(fā)，生死之間何去何從？

簡介：李獻(xiàn)計（房祖名 飾）跟女友王倩（王子文 飾）分手之后，難以接受這個慘痛的現(xiàn)實，以至于重新回到了差時癥的怪圈之中。他穿梭在自己的時空里，回憶著童年上學(xué)看課外書被老師罰站，對于父親（姜武 飾）嚴(yán)厲批評的心不在焉，對于二叔（姚魯 飾）精通電子維修的向往，對于視頻游戲的癡迷，對于公司同事的冷漠厭惡，當(dāng)然，還有對于他和女友戀愛的每個細(xì)節(jié)。他并不希望治愈差時癥，因為他還對回到過去抱有幻想，甚至不惜賣腎、打造金屬手臂來完成打通游戲的夢想，但是現(xiàn)實的殘酷，卻將他卷入了警察（白凱南 飾）、警察小殷（李響 飾）、馬神醫(yī)（范明 飾）、日本騙子（矢野浩二 飾）等各色人物的圈套之中……　　本片根據(jù)李陽2009年創(chuàng)作的著名網(wǎng)絡(luò)動漫視頻改編。

簡介：在回家的途中，一位商人（瓦克拉·沃斯卡 Václav Voska 飾）遭遇了罕見的暴風(fēng)雪，昏天黑地之中，商人誤打誤撞來到了一幢豪華神秘的城堡前。商人在城堡中受到了貴賓般的優(yōu)厚待遇，但直到最后，商人仍然不知道城堡的主人究竟是誰。暴風(fēng)雪停歇了，商人準(zhǔn)備離開，臨走之前，他決定在花園中摘一朵玫瑰送給自己最喜愛的小女兒貝兒（茲德娜·斯圖登科娃 Zdena Studenková 飾），而令他沒有想到的是，長相猙獰的野獸（Vlastimil Harapes 飾）出現(xiàn)在了他的面前向他索命?！　∩倘耸Щ曷淦堑幕氐搅思遥瑢⒆约旱脑庥龈嬖V了六個兒女，愛父心切的貝兒決定代替父親，只身來到了城堡。然而，等待著貝兒的卻并非死亡，而是更加盛情的款待，野獸對她唯一的要求，就是不要離開城堡半步。貝兒并不懼怕野獸，隨著時間的推移，兩人之間的關(guān)系越來越近。

簡介：這是一個流傳久遠(yuǎn)的神話故事。王母（王少梅 飾）容不得牽牛星（黃宗毅 飾）與織女星（嚴(yán)鳳英 飾）的兩情相悅。金牛星（王少舫 飾）見機(jī)出來做月老，王母大怒，將牽牛星與金牛星一同打入凡塵?？椗莿t被關(guān)入云房，失去人身自由，每日望月空嘆，好不凄涼。落入凡間的牽、金二星化身為牛郎和老牛，整日里風(fēng)餐露宿，遍嘗勞作艱辛。一日，織女有幸隨王母出巡凡界，經(jīng)金牛牽線，與牛郎棲身人間，過起男耕女織的快樂光景，不久，還誕下一雙兒女。出巡歸來不見了織女，王母心生惱恨，厲令天兵天將下凡捉拿。落入凡塵的牛郎織女怎對抗得了天上的神仙......

簡介：九州的阿蘇地區(qū)接二連三出現(xiàn)去世的人重返親人身邊的事情，他們保持死亡之前的樣子及記憶，為何能夠死而復(fù)生？調(diào)查員川田平太（草剪剛飾）開始調(diào)查這個不可思議事件的產(chǎn)生原因?；氐焦枢l(xiāng)后，平太與已故好友俊介的未婚妻橘葵（竹內(nèi)結(jié)子飾）重逢，橘葵一直希望溺死海中的未婚夫俊介能夠回來，強烈的思念使她無法感受到平太的好感。有一天平太終于發(fā)現(xiàn)死人復(fù)活的秘密：“生者記憶不滅，死者便永存”。一直暗戀著橘葵的平太，心里雖有很大掙扎，但為了完成橘葵心愿，平太還是決定想辦法讓俊太復(fù)活。然而，復(fù)活只有三天期限，事實并非表面所見……

簡介：土耳其文簡介：Leyla ba??ndan ge?en bir ayr?l?k sonras? baba evine d?nmü?tür. Kalbi k?r?kt?r ve ?ocuklu?undan beri sorunlu bir ili?kileri olan babas? Selim ile aralar?ndaki sorunlar? ??zmeye ?al??maktad?rlar. ?skender ise kü?ük ya?lardan beri ?anss?z bir hayat ya?am?? olan yetimhanede büyümü? ve hayat? boyunca hi? evim diyebilece?i bir yere sahip olmam?? bir adamd?r. Beklenmedik bir ?ekilde kar??la?an bu ikili onlar? arad?klar?n? bulmalar?n? sa?layacak bir a?k?n i?ine sürüklenir, Leyla yaralar?n? sararken , ?skender'in evi Leyla olur fakat bu güzel hikayenin b?yle sürmesine engel olacak olaylar pe?lerini b?rakmaz...

簡介：草廟村被屠，少年張小凡雙親離世，被青云門大竹峰收留。機(jī)緣巧合之下，他習(xí)得佛門天音功法，又意外獲得魔教法器燒火棍，踏上強者之路的同時，也讓他陷入了巨大的危機(jī)。至魔法器的現(xiàn)世，與陸雪琪、碧瑤、田靈兒三個女生間命運的交錯，都讓他原本單純的人生軌跡充滿變數(shù)。一個勇者駁斥命運的傳奇之旅就此展開......

簡介：Because I could not stop for Death, he kindly stopped for me; the carriage held but just ourselves and immortality” – Emily Dickinson　　If Death took a holiday, the guns would go silent in Iraq, the slaughter on our nation’s highways would cease, and the news media would be compelled to cover positive events in the humanities, arts, and sciences. Unfortunately, Death has not had a vacation in recorded history, but Mitchell Leisen’s 1934 fantasy, Death Takes a Holiday, allows us to consider the possibility. Co-written by Maxwell Anderson and Gladys Lehman and based on the play La Morte in Vacanza by Alberto Casella, Death Takes a Holiday stars Frederic March as the Grim Reaper who takes on human form in an attempt to discover why men fear him so much. Why he has waited 5,000 years to satisfy this curiosity is not explained.　　[Spoiler] After a brief tryout as a shadowy figure who scares the daylights out of those that cross his path, Death shows up at, of all places, an upscale party at an Italian villa, posing as the mysterious Prince Sirki. Only one person knows who he really is, the host Duke Lambert (Guy Standing), and he is sworn to secrecy. Sirki proceeds to fascinate the guests. Given to bursts of wit and poetry, he can just as quickly turn sullen and threatening, and some soon find out that it is better not to look too deeply into his eyes. During the three days in which the Prince is at the villa, however, people all over the world miraculously escape death and potential suicides are doomed to frustration.　　To see what’s behind all the conversation about love, the suave but na?ve Prince Sirki falls for the irresistible Grazia (Evelyn Venable), the daughter of one of Duke’s friends. Grazia knows who Death is but does not fear him, much to the chagrin of her fiancé, Corrado (Kent Taylor) who has developed a strong disdain for Prince Charming.　　More sinister than Brad Pitt in the 1998 remake Meet Joe Black, March turns in a very convincing performance as the creepy yet strangely appealing guest. Although the ending is melodramatic, the emotions are very real and the suggestion that Death may in reality be a friend disguised as a foe is quite touching.　　(Howard Schumann, talkingpix.co.uk)　　In this wearisome and predictable plot line, Death falls in love and bores us to death talking about it.　　(Dennis Schwartz, homepages.sover.net)　　I've heard DRACULA was advertised with the tag line The Weirdest Love Story ever told! (this is probably a paraphrase), but at heart, I've never felt that you could honestly call that movie a love story. The tag line would be much more appropriate for this one, since it ultimately boils down to what amounts to a love story. This movie is very good indeed, particularly if you consider that it is built around a concept that could have easily been handled in a cute or facile manner. Instead, it is handled as seriously as possible, with some real thought put into how death would try to come to terms with a life and an outlook that was to that point totally unfamiliar to him; much of the credit does go to Fredric March in the title role. It's quite scary when it needs to be, particularly during the first twenty minutes. From then on, it deals with its themes with subtlety, a quiet wit, an enduring sadness, and an everpresent tension on how Death might react if crossed. It's not perfect; some of the dialogue is self-conscious and artificial, as if the writers knew they were dealing with weighty issues and were trying to be profound. But I am certainly glad they didn't try to turn it into a musical comedy of sorts.　　(Dave Sindelar, scifilm.org)　　See also the remake Death Takes A Holiday (1971)

簡介：本片是蘇聯(lián)二戰(zhàn)后攝制的第一部彩色影片，獲戛納電影節(jié)大獎和斯大林藝術(shù)電影獎最佳導(dǎo)演獎。影片取材于俄羅斯民間故事，青年石匠達(dá)尼拉雕刻了一朵寶石花作為愛的信物送給自己的未婚妻，不料銅山女巫突然出現(xiàn)，施魔法誘惑了達(dá)尼拉……

簡介：一個童話般的捷克小鎮(zhèn)，鎮(zhèn)上住著各式各樣的怪誕人物，一天鎮(zhèn)上來了一位魔法師，這位魔法師擁有一只神奇的貓，只要它戴上眼鏡便能看穿人心，叫人無所遁形。它能將說謊的人變成紫色、將小偷變成灰色、不忠誠的人變成黃色，還能將戀愛中的人變成紅色，卻也引來害怕被看穿的人追殺。這是部帶有警示、哲學(xué)意味的現(xiàn)代童話寓言，魔幻寫實的風(fēng)格、繽紛七彩的影像，帶領(lǐng)我們進(jìn)入夢幻般的異想世界。