簡(jiǎn)介：

簡(jiǎn)介：　　Zamach na papieza

簡(jiǎn)介：　　Beautiful and raw combination of lyricism and realism in debut drama about a woman with cancer running to her gorgeous, polluted home island to face herself.　　When Noelia finds out that her cancer has spread, she sets aside the search for new procedures and abruptly goes from San Juan back to Vieques, the island where she grew up in southwest Puerto Rico. At home with her mother, in this place with which she is intimately tied (where the beaches are as marvelous as the sea is polluted, in the traces of US colonialism), she seeks her individual strength and takes part in environmental activism one last time. At the same time, a hurricane approaches. Glorimar Marrero Sánchez creates her own visual language in a film that tells us about disfigured bodies and land, and that both enchants and simplifies. A magnificent Isabel Rodriguez in the leading role gives Noelia dignity and an enormous power. And mediates that there is also a light in grief.

簡(jiǎn)介：邁爾斯·特勒將出演生存題材新片[一線希望](Not Without Hope，暫譯)。本片由魯伯特·溫萊特執(zhí)導(dǎo)，根據(jù)同名小說(shuō)改編，E. Nicholas Mariani撰寫(xiě)劇本，講述2009年發(fā)生的一起劃船悲劇，4位朋友在墨西哥灣遭遇狂風(fēng)暴雨后，不得不在團(tuán)隊(duì)合作和耐力的終極考驗(yàn)中奮力求生。

簡(jiǎn)介：　　張儀（張錚 飾）作為秦國(guó)丞相，前來(lái)楚國(guó)是為了破壞東方六國(guó)的團(tuán)結(jié)，倡導(dǎo)“連橫”政策，以便秦國(guó)能夠各個(gè)擊破其他國(guó)家。雖然楚王（李清 飾）聽(tīng)從了屈原（鮑方 飾）的勸告，拒絕了張儀，但張儀卻轉(zhuǎn)而與南后鄭袖（朱虹 飾）合作，企圖除掉屈原這一政治障礙。南后鄭袖是個(gè)陰險(xiǎn)狡詐的女人，她指使上官大夫靳尚加害屈原，并親自出面陷害他。她故意在楚王進(jìn)宮時(shí)假裝頭暈，撲倒在屈原懷里，并誣告屈原調(diào)戲她。楚王被激怒，罷免了屈原的官職。在南后的努力下，楚王接受了張儀的“連橫”計(jì)劃，與東方各國(guó)絕交，張儀因此成為楚國(guó)的座上賓。　　在一次外出時(shí)，屈原遇到了南后和張儀，南后對(duì)他進(jìn)行了戲弄。屈原感到憤怒和悲傷，公開(kāi)斥責(zé)南后和張儀。楚王下令將屈原關(guān)進(jìn)東皇太一廟。太卜鄭詹收到女兒南后的密令，要將屈原毒死。屈原的侍女?huà)染昵皝?lái)探望他，屈原不知酒中有毒，將毒酒送給嬋娟。嬋娟飲下毒酒后身亡，但為了替屈原受罪而感到欣慰。屈原為她的犧牲而感到悲痛，于是哀誦《橘頌》。

簡(jiǎn)介：　　死亡之旅